
Entry 1: Music Manipulative
The importance of music manipulatives is that it provides students with a tool in which they can physically touch. This gives them the visual and kinesthetic sense of how certain concepts work. When thinking of manipulatives the mind automatically wonders to math! There are many examples of hands-on materials that give students a way of deepening their understanding through touch. However, music manipulatives serve the same purpose but with musical concepts! An example of a music manipulative that provides concrete learning is the image shown to the right that introduces the basic knowledge of a staff. The manipulative is targeted towards primary grades as it is the beginning lessons on using a staff in music. This is a magnet board that can portray the set of five horizontal lines to clearly communicate a musical notation. An educator can use stars or any figurative object to place either within, above or below the staff to determine the notation of notes for different pitches. Previous knowledge would have to be taught to understand pitch of musical notes. The educator can easily demonstrate that the higher the star goes on the staff, the higher the pitch and the lower the object the deeper the pitch.
This manipulative can be turned into a game with the whole class as one student can direct the pitch of the room by placing the figured onto the staff. The board is very tactile and can be a great way to interact and excite young students to participate.

Entry 2: Song Composition

Entry 3: Assessment Tool

An assessment tool that really caught my interest when taking The Arts: Music course at OISE was the rhythm dictation. The image to the left shows the outline of the assessment tool. This sheet can be used to individually assess the progress of the students on their knowledge of rhythm and its relation to the note. The educator will clap a rhythm and before anything is written down the class repeats the rhythm themselves. Once they believe they have an understanding of what the rhythm was, they begin to write the notes. Before they do this a lesson on how many beats are represented through the notes, must be taught. This sheet will be used for an assessment towards their understanding of each note. Matching the rhythm and the beat to the dictation of the sound is good for the beginning assessment and will allow the educator to judge the complexity of the next lessons. When I was completing the assessment, I was not as nervous or anxious than I would have been during a test. I feel that this would be a great way for the students to feel relaxed and confident because they would be interested in participating and using it as a game.
Entry 4: Instructional Strategy
Amanda Montogomery (2002), makes interesting points about how “knowledge comes from children’s active engagement with the stuff of music.” Her reference to music and knowledge relates to the structure of learning how to recognize musical patterning and make musical connections. When students are learning music such as how to compose various combinations of music, many of the time students are recreating patterns and developing a combination of social and emotional background as they gain musical structure. In math students create patterns of different shapes or colours, specifically in the primary grades. Music education plays an important role by “intensifying and enhancing each individual's capacity to think” (Montogomery, 2002, pg. 176). Not only does teaching music help in math but also literacy. An educator can incorporate music by telling a story with an instrument. This activity was discussed in the book by Montogomery (2002) that give students a set time as they are invited to “play” the actions of a story on their instrument using as many different sounds as needed to convey a meaning. They can reflect on the tempo, rhythm or beat of their “story telling.” There are many ways music can help children succeed within the curriculum. Whether they are learning music or even listening to music in the background, it is apart of our daily life and is constantly around us.

Reference
Montgomery, A. P. (2002). Teaching towards musical understanding: a handbook for the elementary grades. Toronto: Prentice Hall.